TARI RONGGENG BEKEN AS THE CULTURAL IDENTITY OF A MULTICULTURAL COMMUNITY IN PERFORMANCE STUDIES PERSPECTIVE
DOI:
https://doi.org/10.56107/ijpa.v2i2.153Keywords:
Famous Ronggeng Dance, Cultural Identity, Performance StudiesAbstract
The Ronggeng Beken dance is a traditional dance art of multicultural communities in Bekasi City. This research aims to analyze the cultural identity of the Ronggeng Beken Dance in a multicultural society from a performance studies perspective. The method used in this research is a qualitative method with an ethnographic approach. Data collection was carried out by observation, interviews and document study. The results of the research explain that the Ronggeng Beken Dance, as a traditional dance art of multicultural society in Bekasi City, is a representation of Bekasi society which reflects the ethnic and cultural diversity in Bekasi City. Apart from that, mass performances of the Ronggeng Beken Dance, when analyzed from a performance studies perspective, produce a cultural identity for the city of Bekasi. Therefore, as a cultural identity, the preservation of the Bekasi Ronggeng Dance should continue to be carried out by the people of Bekasi City, one of which is by utilizing the role of education, both informal and formal education.References
Abdullah, I. (2006). Konstruksi dan Reproduksi Kebudayaan. Yogyakarta Pustaka Pelajar.
Peraturan Daerah Kotamadya Daerah Tingkat II Bekasi Nomor : 1 Tahun 1998, (1998).
Bhaba, H. K. (1994). The Location of Culture. Routledge.
Caturwati, E. (2007). Tari di Tatar Sunda. Sunan Ambu Press-STSI Bandung.
Detik News, S. (2019, November 24). Ribuan Penari Ronggeng Beraksi di Bekasi. DetikNews. https://news.detik.com/foto-news/d-4796412/ribuan-penari-ronggeng-beraksi-di-bekasi
Hall, S. (1990). Cultural Identity and Diaspora. In J. Rutherford (Ed.), Identity : Community, Culture, Difference (pp. 222–237). Lawrence and Wishart.
Hofstede, G., Jan Hofstede, G., & Minkov, M. (1991). Cultures and Organizations: Software of the Mind (1st Editio). Mc Graw Hill. https://doi.org/10.1177/030630709201700409
Humas Jabar; Rep Guh. (2022, September 10). Ridwan Kamil Menari Ronggeng Beken Bersama 3.000 Penari di Kota Bekasi. PORTALJABAR, KOTA BEKASI. https://jabarprov.go.id/berita/ridwan-kamil-menari-ronggeng-beken-bersama-3-000-penari-di-kota-bekasi-6871
Undang-Undang Republik Indonesia Nomor 23 Tahun 2014 Tentang Pemerintahan Daerah, (2014). https://peraturan.bpk.go.id/Home/Details/38685/uu-no-23-tahun-2014
Undang - Undang RI Nomor 5 tahun 2017, 5 5 (2017). https://peraturan.bpk.go.id/Details/37642/uu-no-5-tahun-2017.
Kamus Besar Bahasa Indonesia (KBBI). (n.d.).
Murgiyanto, S. (2016). Pertunjukan Budaya dan Akal Sehat. Fakultas Seni Pertunjukan-IKJ(Intitut Kesenian Jakarta).
Nalan, A. S. (2000). Sanghyang Raja Uyeg : dari sakral ke profan. Humaniora Utama Press.
Neveu, H., & Skinner, J. (2012). Dancing Cultures: Globalization, Tourism, and Identity in the Anthropology of Dance. In H. Neveu & J. Skinner (Eds.), Dancing cultures : globalization, tourism and identity in the anthropology of dance (1st Editio). Berghahn Books.
Rummens, J. W. (1993). Personal Identity and Social Structure in Sint Maarten/Saint Martin: A Plural Identities Approach.
Schechner, R. (2003). Performance Theory. Routledge.
Schechner, R. (2013). Performance Studies : An Introduction (S. Brady (Ed.); 3rd Editio). Routledge.
Simatupang, L. (2020). Relevansi Performance Studies untuk Studi Seni di Indonesia.
Spradley, J. P. (1980). Participant Observation. Holt rinehart and winston.
Vissicaro, P. (2004). Studying Dance Cultures around the World: An Introduction to Multicultural Dance (1st Editio). Kendall Hunt Publishing.
