DANCE STUDIOS AS AGENTS OF CULTURAL SOCIALIZATION: A SOCIOLOGICAL STUDY OF DANCE EDUCATION IN INDONESIA
DANCE STUDIOS AS AGENTS OF CULTURAL SOCIALIZATION: A SOCIOLOGICAL STUDY OF DANCE EDUCATION IN INDONESIA
DOI:
https://doi.org/10.56107/ijpa.v3i1.259Keywords:
dance studio, cultural socialization, sociology of education, habitus, cultural capitalAbstract
This study aims to analyze the role of dance studios as agents of cultural socialization in the context
of non-formal education in Indonesia. Based on the perspective of educational sociology, this study
examines how dance studios function as spaces for the transmission of values, the formation of
artistic habitus, and cultural reproduction amidst the social dynamics of modern society. The
research approach used was qualitative with an ethnographic design. Data were obtained through
participant observation, in-depth interviews, and documentation at several traditional dance studios
in Indonesia. The analysis was conducted inductively by following the model of Miles and Huberman
(1994) through the stages of data reduction, presentation, and verification. The results show that
dance studios have three main functions: (1) as non-formal educational institutions that transmit
cultural and moral values; (2) as an arena for socialization that strengthens social solidarity through
collective artistic activities; and (3) as a forum for the formation of artistic habitus and the
accumulation of cultural capital as proposed by Bourdieu (1986). The process of cultural inheritance
that takes place in the studio is generative and adaptive, enabling the reproduction of traditional
values in a modern context. These findings support Durkheim's (1912) view that education serves to
maintain the moral integration of society, while also broadening the understanding of arts education
as a process of socialization and cultural reproduction. This research emphasizes the importance of
strengthening the role of studios as cultural institutions that contribute to the preservation of cultural
heritage and the formation of cultural identity among the younger generation in Indonesia.
References
Atkinson, P. (2015). For Ethnography. Sage Publications.
Bandem, I.M., & de Boer, F. (1995). Balinese Dance in Transition: Kaja and Kelod. Oxford
University Press.
Bourdieu, P. (1977). Outline of a Theory of Practice. Cambridge University Press.
Bourdieu, P. (1986). The Forms of Capital. In J. Richardson (Ed.), Handbook of Theory and
Research for the Sociology of Education (pp. 241–258). Greenwood Press.
Bourdieu, P. (1990). The Logic of Practice. Stanford University Press.
Bourdieu, P. (1991). Language and Symbolic Power. Harvard University Press.
Bowen, G. A. (2009). Document Analysis as a Qualitative Research Method. Qualitative Research
Journal, 9 (2), 27–40.
INTERNATIONAL JOURNAL OF PERFORMING ARTS
https://penajournal.com/index.php/IJPA/ 9
Creswell, J. W., & Poth, C. N. (2018). Qualitative Inquiry & Research Design: Choosing Among
Five Approaches (4th ed.). Sage.
Denzin, N.K., & Lincoln, Y.S. (Eds.). (2018). The SAGE Handbook of Qualitative Research (5th
ed.). Sage.
Durkheim, E. (1912). The Elementary Forms of Religious Life. Allen & Unwin.
Durkheim, E. (1956). Education and Sociology. Free Press.
Erika Kharisma Damayanti, Kusumawardani, D., & Haerudin, D. (2022). Development of Learning
Media Based on the Truth or Dare Card Game in Dance Lessons at Sanggar Gandrung
Dance Studio: The Age Category of 26-45 Years for Increased Dance Skills. Jurnal
Pendidikan Tari , 3 (1), 88–102. https://doi.org/10.21009/JPT.318
Finlay, L. (2002). Negotiating the Swamp: The Opportunities and Challenges of Reflexivity in
Research Practice. Qualitative Research, 2 (2), 209–230.
Giddens, A. (1993). Sociology (2nd ed.). Polity Press.
Glaser, B., & Strauss, A. (1967). The Discovery of Grounded Theory. Aldine.
Hapsari, MD, et al. (2024). Inheritance of Cultural Values in East Javanese Dance Studios. Jurnal
Cendekia Seni, 9 (2), 55–68.
Huang, H. (2019). Cultural Capital and Artistic Habitus: A Bourdieusian Analysis of Dance
Education. Review of European Studies, 11 (2), 112–124.
Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York
University Press.
Kvale, S., & Brinkmann, S. (2015). InterViews: Learning the Craft of Qualitative Research
Interviewing. Sage.
Lincoln, Y.S., & Guba, E.G. (1985). Naturalistic Inquiry. Sage.
Miles, M. B., Huberman, A. M., & Saldaña, J. (2014). Qualitative Data Analysis: A Methods
Sourcebook (3rd ed.). Sage.
Novitasari, S., Nursilah, & Ida Bagus Ketut Sudiasa. (2023). Management System of the Reyog
Ponorogo Association in Jabodetabek. Journal of Dance Education , 3 (2), 63–78.
https://doi.org/10.21009/JPT.326
Patton, M. Q. (2015). Qualitative Research and Evaluation Methods (4th ed.). Sage.
Setiawan, E. (2020). Reog Art and the Cultural Identity of the Ponorogo Community. Humanities,
(1), 15–27.
Spradley, J. P. (1980). Participant Observation. Holt, Rinehart and Winston.
Sugiarti, RA, Nursilah, & Tuteng. (2021). Art Praxis at the Swargaloka Studi East Jakarta in Pierre
Bourdieu's Perspective. Journal of Dance Education, 2(1), 46–59.
https://doi.org/10.21009/JPT.214
Suryaningsih, R. (2023). The Role of Dance Studios in Strengthening Youth Cultural Literacy.
Indonesian Journal of Performing Arts Education, 8 (1), 44–58.
Taryana, D., Budiman, M., & Karyati, S. (2019). Management of Traditional Dance Studios as
Non-Formal Education. Journal of Education, Humanities, and Social Sciences, 2 (3),
–212.
Wacquant, L. (2014). Homines in Extremis: What Fighting Scholars Teach Us about Habitus. Body
& Society, 20 (2), 3–17.














